Applicability of Chinese National Piano Works in Piano Teaching
中国民族钢琴作品在当今钢琴教学中的适用性分析

摘要

在如今的国际钢琴教育中，还出现过多重视海外弹琴创作，而忽略了国内弹琴创作的问题。本文系统分析了国内弹琴创作在国际钢琴教育中的发展现状，并从以下不同方面探讨了国内创作在国际钢琴教育中的重要意义。钢琴教学在我国盛行了已经世纪之久，自十九世纪初钢琴艺术引进我国后，不少先辈艺术家便致力于我国钢琴作品的创造。我国传统古典钢琴乐曲的出现，对推进中国钢琴音乐的蓬勃发展作出了巨大的奉献。比如，贺绿汀在一九三四年创造的钢琴曲《牧童短笛》，就把西洋的单复调方法与国内的少数民族风情结合，把欧洲音乐学说和国内音乐教育优良传统结合，从而显出了独特的中国传统风貌。这首钢琴曲驰名于海内外，成为了世界各地钢琴家的常用乐曲，也成为演唱会中最常演唱的国人作品之一，同样使西洋音乐“入乡随俗”，让钢琴“说中国话”，始终是我国钢琴家们坚持不懈的追求。

Abstract

In today's international piano education, there is also too much attention to overseas piano creation, but ignore the problem of domestic piano creation.This paper systematically analyzes the development status of domestic piano playing creation in international piano education, and discusses the significance of domestic piano creation in international piano education from the following different aspects.Piano teaching has been popular in China for a long century. Since the introduction of piano art into China in the early 19th century, many previous artists have been committed to the creation of piano works in China.The emergence of traditional classical piano music in China has made great contributions to promoting the vigorous development of Chinese piano music.For example, the piano song "Shepherd Boy Piccolo", created by He Luting in 1933, combined the western polyphonic method with the domestic ethnic minority customs, and combined the European music theory with the fine tradition of domestic music education, thus showing the unique traditional Chinese style.This piano song is well known at home and abroad, and has become a commonly used music for pianists around the world.