On the Pentatonic Mode of Twelve Tones
论十二音的五声性调式

摘要

西方毕达哥拉斯的“和谐论”将万物都认为是宇宙中统一的整体。十二音正是表现主义与社会的发展思潮相结合，是知识分子在社会混乱，政治黑暗感到不满的产物。自新维也纳乐派后，作曲家更多地跳出古典禁锢的思维，跳入不断创新、不断自由发展的音乐体系中来。在节奏、音色、调性、作曲技法等方面都得到了新的解放。随着不断的发展，直到20世纪序列音乐的出现使十二音体系趋于理论的完善，成为本世纪中不可低估的音乐作曲形式。随着文化的交流序列音乐思维流入中国，与中国的传统音乐文化相结合，并在中国“自由”的发展起来。

Abstract

The “harmony theory” of Pythagoras in the West regards all things as a unified whole in the universe. Twelve-tone is the combination of expressionism and social development trend of thought, and it is the product of intellectual dissatisfaction in social chaos and political darkness. Since the New Vienna School of Music, composers have more often jumped out of the confinement of classical thinking and jumped into a music system that is constantly innovating and developing freely. New liberation has been achieved in rhythm, timbre, tonality, and composition techniques. With the continuous development, until the emergence of sequence music in the 20th century, the twelve-tone system tends to be perfected in theory, and it has become a form of music composition that cannot be underestimated in this century. With the cultural exchange sequence, musical thinking flows into China, combines with Chinese traditional music culture, and develops "freely" in China.